The Hidden Cost of Faster Turnarounds in Film Production

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The Hidden Cost of ‘Faster Turnarounds’ in Film Production

Have you ever seen a movie and gotten a sense that something was … off? Like, the story never quite landed, the characters fell flat, the visuals were careless?

There is a very real chance that movie faced one of the most pervasive ills modern filmmaking is cursed with as of late – the rush to turn out movies quicker.

It’s not just Hollywood blockbusters too, as video production companies in Dubai and film production services across the UAE grapple with the same problems.

The short answer is: when you rush a production, that’s when you fill the finished product with mistakes, stress out your crew, and, in the end, it doesn’t save you any money, it costs you more. 

Today, I’ll discuss about it and include approachable tips you can use to push back without offending your clients.

Doesn’t matter if you are operating a production house in Dubai, running a film production company in UAE, these tips will help you decrypt the fast-paced timelines.

How Speed Is Killing the Quality of Our Stories

Storytelling takes time. Period.

If movies speed through development, writing, and revisions, the story will weaken. Think about it. There’s no such thing as a brilliant script that just shows up. 

It passes through drafts and drafts and drafts, then feedback sessions, rewrites and polish. And without adequate prep time, those key ingredients are left out – or worse, forgotten entirely.

For example, there are a lot of film production companies in competitive markets such as Dubai that value quick output to satisfy the high needs of their clients.

But that’s a failure mode for this approach. Dialogue might be too forced because there was no time to workshop it. Plot holes sprout up because, well, nobody had the bandwidth to catch them during the editing process. 

But they’re not so well drawn as characters because we never saw those arcs fully blossoming. All of these problems are ultimately symptoms of one core issue: a refusal to give creators the space they need to do their best work.

The Myth of Cost Reduction by Speeding up Fix Times

Clients and studios often insist on faster turnarounds because they believe it will save money. Less days of shooting means less location fees, right? The less time in post, the less work you have to do, right? Wrong.

  • Here’s the truth: Cutting corners on any project almost always ends up being more expensive in the long run. How? Let me count the ways:
  • Reshoots: You simply didn’t allow yourself enough time to get it right the first time – now reshoots are a given. And guess what? Reshoots are expensive.
  • Overtime Pay: The more you push your crew work longer hours, the higher your overtime pay bill. The extra hours really add up.
  • Fixing Mistakes: Mistakes made under the pressure of time (whether it’s in the editing, the visual effects work, or a bad audio mix) end up needing more resources just to fix them later.
  • Missed Opportunities: Badly made movies can’t cut through the market’s noise, hurting their box office numbers, as well as their long-term presales, streaming agreements, and propensity to attract future funding.

Trimming the corners of a policy to make it less expensive is like trying to stop a leaky boat with duct tape. 

Sure, maybe it will hold for a bit, but sooner or later, it’s going to drop. This is no different if you run as a video production agency or make films all around the world.

Educating Clients First

Okay, so now you know why a quicker return can make things complicated. But, how a video production company in Dubai would be able to deal with those tough clients that have certain adamant deadlines whatsoever? This is where communication comes in.

First, explain the process. Many clients just don’t understand what all goes into making a film. Break it down for them:

  • Pre-production includes searching for the locations, casting the actors, construction of the sets, planning shots and rehearsing dialogues.
  • The production itself demands extreme co-ordination between departments.
  • In post-production, you’d edit, color, implement sound design, VFX, and countless other steps before the film is prepared for release.

Then point out the downside of a sense of urgency. Share (without blowing any secret identities please) projects that went south as the result of an unrealistic deadline. Let them see the worst-case financial outcomes of decisions made in haste. 

And most of all, tell them about the quality of work. In other words, would they prefer a subpar movie sooner – or an outstanding film on a schedule that’s actually possible?

Finally, offer solutions.

Offer an alternative instead of a flat no. Is there some overlap in certain tasks that does not affect quality? Can there be more efficient processes without losing any degree of excellence? You’re offering options, indicating that you’re flexible – but you’re not prepared to put out a lousy product.

Pushing Back Respectfully

If you fear alienating customers by turning them away, don’t. Here’s the thing: Many people value honesty – and even hard truths – as long as they come from a place of care and compassion. Use phrases like:

  • “I get that you’re in a hurry, but consider the problems that could occur if we rush this through …”
  • “From what we have learnt, this could result in [certain problem]. Let’s explore other options.”
  • “I suggest adding X weeks to the schedule in order to deliver the highest quality.”

Remember, you’re the expert.

Clients employ you because they trust you to make decisions. Tapping into that expertise makes you a credible voice for realistic timelines.

    Producer

    We are looking for an organised and highly motivated Producer with experience producing TV Commercials,brand films and social content. You should be able to work on multiple projects simultaneously and use the team and resources in the most planned and efficient manner to deliver quality videos by required timeline. You’ll need to be a good communicator, comfortable in client facing situations, good at juggling multiple projects and tight deadlines, and able to say no constructively and positively.

    Fluency in English is essential, and Arabic is beneficial.