THE COMPANY FILMS

"Produced for MyWhoosh and featuring cycling legend Peter Sagan, this film had one job: Tell the world the platform is 100% free. Most cycling platforms charge a subscription. MyWhoosh charges nothing, and that was basically the whole film. The brief was to say it with humor instead of a hard sell. So Sagan plays a tongue-in-cheek version of himself, a pro rider who doesn’t take it too seriously. Except for riding. Comedy is harder to shoot than it looks. Timing, performance, knowing when to hold back. The joke only lands if the film does. Sagan brought the charm and we built the world around it."

"Two of our producers bought Casio watches purely for the love of old times. Two weeks later there was a brief from Casio sitting in our inbox. One of the biggest “Aha!” moments we’ve had. Casio is one of those brands you keep close to your heart. Everyone has a memory attached to it somewhere. So this film means a lot to us.The brief was straight to the point. Casio’s signature line, NEVER GIVE UP. The film is about living your life the way you want, instead of carrying everyone else’s expectations with you. The script goes like this: Once upon a time, nothing special was happening. No one was trying to impress anyone or tick a box. People were just doing things they liked, because they liked them. Sometimes that turns into something special, sometimes it doesn’t. Not everything needs to go somewhere to be worth staying with. We shot this campaign on an ARRI 35mm camera with Kodak film stock. Going back in time all over again. Shooting on actual film comes with its own challenges, and that’s exactly what makes it one of the best experiences you can have as a filmmaker."

"Sinya Island: A Life, Not a Listing For Sobha Developers' Sinya Island, we didn't want to sell an address. We wanted to sell an escape. Real estate campaigns show the usual: facilities, architecture, ameneties. but here we asked a different question ""who could you become there?, instead of ""what does this place have?"" The film follows a man in the the quiet exhaustion of a life on autopilot. Then the question surfaces: if he could direct his own life, what would it look like?"

"Created in collaboration with Wieden+Kennedy Amsterdam, this Nike film celebrates the raw, explosive power of Aryna Sabalenka. Briefs like this are why we do what we do: A sharp creative agency, a global brand, and an athlete who doesn’t do anything at half speed. Two units, two countries, one story stitched between Australia and Dubai without the seams showing, and Sabalenka brought the force. Our job was building a production fast enough to keep it real, and disciplined enough to keep it simple."

"Save It for the Good Stuff" ditches the straight forward fintech pitch entirely. No lectures about hidden charges, or somber voiceover about "fees eating into your savings." Instead, we leaned all the way into comedy. Fast cuts, playful chaos, and Sagan doing what he does best when the cameras roll: mischief.

"A hungry player makes the kind of mistake nobody lives down, and that single beat carries the whole film. One location, one team, one afternoon that goes wrong in front of everybody. We shot on a working pitch outside Dubai across two days, cast from local sports clubs rather than an agency book, and let practical floodlights do the work at dusk. The cut runs faster than the dialogue wants, landing the punchline early and letting the crowd carry the last four seconds. Delivered in 60, 30, 15 and 6 second versions plus vertical, all conformed from one master so the timing of the gag holds."